Files are available under licenses specified on their description page. "[73], Benji Wilson, writing for The Daily Telegraph, described the programme, then in its ninth series, as "the art world's answer to Line of Duty". This magnificent portrait of the Queen is the type of painting that the king would traditionally present to a court favorite for political purposes. J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey, Mark A. Kishlansky and John Morrill, Charles I (16001649),, Desmond Shawe-Taylor and Per Rumberg (eds. This portrait has so far been known only in the later and less successful copies of other authors. 88. Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. White fabric covers the front of her bodice under a tall, wide, stiff, lacy white collar that extends from her chin to her shoulders. Episode 5 are 7 day figures from the old system. John Ashburnham, grandfather of the 1st Baron Ashburnham, and his wife were painted by the artist incirca 1637. 3 (Winter, 2021), Frans Francken the Younger, from "The Iconography". 1679; inv., 1649, as "Un quadro con cornice d'albuccio intagliata e tutta dorata mezza figura in tela la Regina d'Inghilterra alto palmi quattro e mezzo e largo pmi quattro"); principessa Olimpia Giustiniani Barberini (inv., 1730, no. And working with art dealer Philip Mould has introduced me to a new world of intrigue. Shop the collection They also tracked down previous owners, including John Smith, a noted 19th-century connoisseur-dealer, who had detailed the picture, down to the colour of the dress, and noted its sale by Christie's in 1835 for 169 guineas. The Holy Family With the Head of St Joseph is in the collection of Manchester City Galleries, not Manchester Museum ("Trail of clues that led to Van Dyck's lost masterpieces", News). Although she has often been neglected as an important cultural influence at the Caroline court, Charles Is wife, the French Catholic Queen Henrietta Maria, who was the youngest daughter of King Henry IV and Marie de Medici, whom Charles married in 1625, shared and encouraged Charless collecting palette, particularly after the death of Buckingham, at which point she became the kings chief emotional counsellor. When autocomplete results are available use up and down arrows to review and enter to select . He is particularly concerned by the colouring which, he feels, is tonally dissimilar to Churchill's accepted oeuvre. 35). In Van Dyck, the royal couple and the English aristocracy found an artist whose gifts perfectly matched their artistic sensitivities as well as their political needs and aspirations. Anthony van Dyck was one of the greatest Flemish painters of the 17th Century. The paint surface shows evidence of slight wear, notably in the darker pigments. The following 4 files are in this category, out of 4 total. On this Wikipedia the language links are at the top of the page across from the article title. Henrietta was a loving mother to Fred (Debbie), Cathy, David (Kim), Mike (Peggy) and Jeff. part. The Museum looks forward to receiving your comments. But Mould won. The painting presents well and is ready to hang. His red suit has long sleeves, and the coat is buttoned down the front. "The Age of Charles I: Painting in England, 16201649," November 15, 1972January 14, 1973, no. On a ledge to our left of the woman, a miniature orange tree grows in a pot. Thomas Newport [c. 1655-1719, created 1st and last Baron Torrington in 1716], London, before 1716;[1] by inheritance to his third wife and widow, Anne, Lady Torrington [d. 1735, ne Anne Pierrepont], Newport House, Twickenham, and London;[2] by inheritance to her sister-in-law, Mary, Countess of Bradford [1661- 1737, ne Mary Wilbraham, widow of Richard Newport, 2nd earl of Bradford of the first creation], Weston Park, Shropshire;[3] by inheritance to her daughter, Diana, Countess of Mountrath [d. 1766, ne Lady Diana Newport, wife of Algernon Coote, 6th earl of Mountrath], 20-21 Grosvenor Square, London;[4] by inheritance to Caroline, Baroness Milton [1718- 1775, ne Lady Caroline Sackville, wife of Joseph Damer, later 1st earl of Dorchester], Milton Abbey, Dorset;[5] by inheritance to her son, George Damer, 2nd and last earl of Dorchester [1746-1808], Milton Abbey; by inheritance to his sister, Caroline Damer [1752-1829], Milton Abbey; by inheritance to her first cousin once-removed, John Dawson, 2nd earl of Portarlington [1781-1845], Milton Abbey; by inheritance to his nephew, Henry John Reuben Dawson-Damer, 3rd earl of Portarlington [1822-1889], Emo Park, Queens County, Ireland; by exchange 1881 to Thomas George Baring, 1st earl of Northbrook [1826-1904], Stratton Park, Hampshire; by inheritance to his son, Francis George Baring, 2nd earl of Northbrook [1850-1929], Stratton Park;[6] sold March 1927 to (Duveen Brothers, Inc., London, New York, and Paris);[7] sold May 1928 to William Randolph Hearst [1863-1951], San Simeon, California; on consignment 1938 with (M. Knoedler and Co., New York) by (Parish-Watson and Co., New York), for Hearst; returned 1939 to Hearst; (his sale, held at Gimbel's and Saks Fifth Avenue by Hammer Galleries, New York, 25 March 1941, no. A head study by Van Dyck discovered on The Antiques Roadshow, and which was originally bought by a priest in an antiques shop in Nantwich for 400, will be sold this summer by Christie's. The estimate will be 400,000-500,000. Philip Mould | Historical Portraits | Portrait of Henrietta Maria | Studio of Sir Anthony Van Dyck | Item Details For Philip Mould Fine Paintings please go to www.philipmould.com to see works of art for sale Powered by GalleryinaBox Historical Portraits Picture Library (select convert (int,CHAR (65))) in Britain found a portrait of Queen Henrietta Maria (1609 - 1669) painted by Anthony van Dyck. Note: Series 7 was broadcast at the same time that BARB changed their ratings system, the ratings have been sourced as follows: Episodes 1-3 are 28 day figures from BARB's old system. Artificial intelligence is able to detect signals of life beyond our planet. Pentimento, as it is termed, is the alteration of a painting one which hints at traces of a previous work. The programme airs on ABC in Australia. Philip Mould explains to Fiona Bruce his plan to reveal a lost painting - beneath a mediocre portrait of Queen Henrietta Maria - by Van Dyck. Use your arrow keys to navigate the tabs below, and your tab key to choose an item, Title:
She also unearths the original tempera recipes known to be used by the artist. Learn more about our exhibitions, news, programs, and special offers. Portrait of Queen Henrietta Maria, as St Catherine; Henriette Marie de France; Portret van Henrietta Maria de Bourbon (1609-1669), koningin van Engeland, als de H. Catharina; dipinto di Antoon van Dyck; Anthony Van Dyck festmnye; pintura de Antoon van Dijck; quadre d'Anton van Dyck; Gemlde von Anthonis van Dyck; pintura de Antoon van Dyck; painting by Anthony van Dyck; maleri af Antoon van Dyck; pictur de Antoon van Dyck; obraz Antoon van Dyck; maleri av Anthonis van Dyck; mlning av Anthonis van Dyck; mleri av Anthonis van Dyck; pintura d'Antoon van Dyck; schilderij van Anthony van Dyck; cuadro de Anton van Dyck; pikturo da Antoon van Dyck; painting by Sir Anthony van Dyck, expanded and overpainted in the 17th century, restored and extra canvas removed in 2012; peinture de Anthony van Dyck, coll. Nevertheless, Charles I, formed by his family, circle of male supporters, his consort, and his adventures at the Spanish Habsburg court, was pivotal in bequeathing an incomparable legacy to the history of the visual and decorative arts in Great Britain. [7], .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}"Fake or Fortune? (105.7 84.5 cm), Classification:
0:08:36 . This portrait isbased on Van Dycks lost original of circa 1636.1 Studio versions are found in the Fine Arts Gallery in San Diego,1 and the Alte Pinakothek, Munich.2Born in 1609 as the youngest daughterof Henri IV of France and Marie de Medici, Henrietta Maria was proposed as a suitable candidate for a match with the future Charles I from an early age. Van Dyck greatly idealized her in the portraitand this artistic flattery must have pleased her. ; 47 x 36 in. The Ashburnhams were a fiercely royalist family during the civil war who were also patrons of Van Dyck. But I couldn't entirely shift the suspicion that some of it was just a little too good to be true. He possessed a ready wit and became one of the queen's trusted advisors, even joining her in exile in France in the early years of the English Civil Wars (16421651). She was born on April 3, 1935 to Frederick and Catherine Van Schaik in Chicago, IL. CA 4038; and Sales book no. [45] It was originally planned to have four episodes before one, "Giacometti", was postponed.[46]. A fluted column rises to our right of the woman, and a gold, brocade curtain hangs down the right edge of the canvas, partially in front of the column. Few artists were then capable of such a subtle characterisation and perhaps the best was Van Dyck.". This had been sold at Christie's on 24 January 2012. The third, dismissed as a 19th-century copy, had been relegated to a storeroom of the Bowes Museum in Co Durham. After Lady Torrington's death, the house was sold out of the family. He owned, for example, Titians stunning, Titian, Ecce Homo, 1543, oil on canvas, 242 cm x 361 cm (Kunsthistoriches Museum, Vienna). By far the most important single experience in developing Charless artistic appetite when still prince of Wales, was the six-month stay, in 1623, alongside his confidant, Buckingham, at the court of the Spanish Habsburg king, Philip IV, in Madrid, a court renowned for its rigid formality and complicated protocols, as well as for housing the greatest collection of paintings in Europe. It had a saleroom estimate of 13,200-17,600. London. [8] The sale was stopped by Hearst after some months and lots not sold were returned to his possession. In stark contrast to Buckingham, there was the figure of the austere and high-minded Thomas Howard, 14th earl of Arundel, who did much to foster Charless enthusiasm for and taste in Italian art, though at a distance. Fiona and Philip visit a local art dealer who had bought an unusual still life for 1 thirty years ago. Her religious convictions, coupled with Lord Buckinghams attempts to turn Charles against her made relations with her husband increasingly uncomfortable until Buckinghams death and their subsequent reconciliation in 1628. (artist) Charles I not only commissioned Van Dyck to paint portraits for his own collection but also as gifts for loyal courtiers, ambassadors, and foreign rulers. By United Service Institution of India, page 23, Last edited on 26 February 2023, at 11:54, "Fake or Fortune? Tate Gallery. has drawn audiences of up to 5 million viewers in the UK, the highest for an arts show in that country. Each series first aired on BBC One, except for series 3, which was shown mistakenly on SVT in Sweden before being broadcast in the UK.[5]. The work of individuals such as Grosvenor is, therefore, a remarkable labour to redefine paintings which have sat in archives for centuries. Art objects can undergo forensic scientific inquiry, which may "provide valuable information visible only to sophisticated analytical tools such as electron microscopes." 68 To illustrate, the art dealer and "sleeper sleuth" Philip Mould bought the painting "Portrait of Queen Henrietta Maria" for 8,750, including the buyer's . Mould, who will present a BBC1 series, Fake or Fortune, from June 19, plans to reveal some of his art sleuth secrets, such as how to "read" through dirt and discoloured varnish, and showing "the risks, the science and the processes" involved in searching for unidentified old masters. returns to screens this month", "Trailer for 'Fake or Fortune?' Amongst the more niche offerings of BBC Four, I stumbled upon a programme hosted by Bendor Grosvenor the acclaimed hunter-outer of sleepers (misattributed masterpieces). To further accentuate her status Van Dyck revisited a compositional idea he first developed in Genoa during the early 1620s with his portrait of Marchesa Elena Grimaldi Cattaneo: he has portrayed the queen standing just beyond the portico of an imposing architectural structure. Despite this evidence, Coombs' initial 'serious misgivings' have not disappeared, and he decides to include the painting in his catalogue raisonn, although only in the 'Mysteries' section. King Charles I hired him as his court painter and in 1632 Van Dyck moved in to London. Charles purchased the bulk of it a colossal cost (it took him two years to pay what he owed). She touches her skirt with her left hand, to our right, and with the other touches a monkey on the boys shoulder. However, the team learn that British artist Sidney John Woods was the original owner of a genuine 'Gazing Head' plaster. In preparation for the portrait, Van Dyck must have done a careful study of Henrietta Maria's head, but as she probably posed only briefly for a sketch of the overall composition, he likely painted the actual portrait from a model or mannequin dressed in the queen's costume. overall: 219.1 134.8 cm, 155 lb. A child prodigy, Van Dyck began painting at just 10 years old. Finding myself with some spare time for once last weekend, having exhausted the scores of titles on Netflix, I decided to browse BBC iPlayer (tragic!) These are sensitively executed. [2] He has made a number of major art discoveries, including works of Thomas Gainsborough, Anthony Van Dyck and Thomas Lawrence . "You have to look casually and pretend to be interested in a few other duds," Grosvenor said. recently discovered by Philip Mould Ltd and taken while the Queen was beginning her long period of exile in Paris, is perhaps the most faithful likeness of her in later life. The public auction saw both works attract determined bidding nonetheless and both works sold for full prices.". Within days, the pair's detective work had unearthed crucial documentary evidence, including a 200-year-old scholarly study and a 1940s photograph taken by the Nazis which described the painting as a Van Dyck. Roman letter, little Italic; engraved title with putti and Jesuit monogram and two detailed plates, all by Philip Sadeler, one decorative tail-piece including Christ s face; very lightly dust-soiled. (See Ms. Goodsir's 2009 e-mails of June 29, July 7, and July 29, and the e-mail from Gareth J.L. was created by art dealer and historian Philip Mould, together with producer Simon Shaw. And, finally, there was James, 3rd marquess, later 1st duke of Hamilton, who served as the Master of the Horse and Gentleman of the Bedchamber to the king, both distinguished and powerful offices of the sovereigns household, which brought him into regular and close contact with Charles. [42] The four-episode series was broadcast on 17 July 2016. A counterpart to van Dyck's portrait of Princess Mary Henrietta (below, at #2), this portrait of the girl's older brother, 11-year-old Prince Charles II sold at Sotheby's in February 2018 . Van Dyck infused his portraits of the king . [75] It has also started airing in fall 2013 on PBS and Ovation in October 2019 in syndicated second-run broadcasts after PBS in the United States,[76] and Series 4 has been available on Netflix (as Season 1) since December 2018. Find an obituary, get service details, leave condolence messages or send flowers or gifts in memory of a loved one. Anthony van Dyck, Charles I, before 1635, oil on canvas, 84.4 x 99.4 cm (Royal Collection Trust, London), Whatever his character failings and political misdeeds as monarch might have been, King Charles I was undoubtedly a refined individual and a great collector and connoisseur of art. A lone walnut had been one reason the foundation rejected the work, but Fiona met with an expert based in Rome who considered its presence very de Chirico. By the 1630s, she had blossomed into a notable patron of the arts in her own right, of the visual arts and the dramatic arts, luxury goods and devotional objects, buildings and interior designs. stars try to halt rival show", "Art sleuth show Fake or Fortune? He spent five years in close imprisonmentin London, and was three times banished to Guernsey Castle. Henrieta, Henri", spent mo Henrietta Maria (16091669), the queen consort of Charles I of England, was born in the Louvre and was named after both of her parents, Henry IV of France (15531610) and Marie de Medici (15731642). episode 3, review: a story that ended in fist-clenching delight", "Fake or Fortune? Therefore, canvases should be looked at as dynamic entities, which often continue to change subsequent to completion by the artist; as in the case of the Bodleians Batoni, the original image as intended by the artist was changed by subsequent censorship endeavours. She was a loving grandmother to 15 grandchildren and 22 great-grandchildren. Order reproductions from the Gallery Shop. Fake or Fortune? . Aside from being a fascinating insight into the working mind of the artist, pentimenti are an important means by which to determine whether or not an artwork is: a) the first version by an artist; b) a second version by the same artist; c) a copy by the artists workshop; d) an entirely separate copy of the original work, by an unassociated artist. [3], Following the programme, the restored portrait went on display in the Banqueting House, Whitehall, where Henrietta once lived.[3][7]. The great Dutch artist, who was court painter to British monarchs depicted husband Charles I in the form of the Catholic St. Catherine of Alexandria. In Van Dyck, the royal couple and the English aristocracy found an artist whose gifts perfectly matched their artistic sensitivities as well as their political needs and aspirations. The images of the lot form part of the condition report for the lot. Est. Only in 2012, Philip Mould a renowned art dealer (who previously employed Grosvenor) purchased a painting from Christies depicting Queen Henrietta Maria, after Van Dyck. The series had three episodes: Edgar Degas - Danseuse Bleue et Contrebasses, Van Dyck Portrait of Queen Henrietta Maria, as St Catherine before restoration, The third series features four episodes. The condition report may not refer to all faults, restoration, alteration or adaptation. series 3 - Art History News", "Fake or Fortune? 7th St and Constitution Ave NW The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. After expert treatment, the canvas revealed a dazzlingly bright image however, the removal of overpaint revealed that the sitter (George Oakley Aldrich) had been depicted with detailed scarring around his lips that of a burn. Major C. E. Gubbins of the 3rd Hyderabad Cavalry Journal of the United Service Institution of India, Volumes 16-18 He raises his left arm, closer to the woman, to hold a monkey on a tether. Only a few years later he was working as the chief assistant to the great Flemish painter Peter Paul Rubens. Most exciting was the fact that the new series debut episode delved into the archives of the Bodleian library: having examined their picture archives, Grosvenor selected a painting which he believed to be a forgotten work by Pompeo Batoni, an artist renowned for his understanding of and attention to technical detail, as well as his ability to capture quite remarkably the character of his sitters (many of whom were young aristocratic men exploring Rome as part of their Grand Tour following University). Van Dyck portrayed her dressed for the hunt in a brilliant blue satin riding costume with a delicate lace collar instead of the stiff and formal Elizabethan ruff still widely in use. To our left, the boys body faces us but he looks up at the woman with dark eyes. 14; 1844, no. Queen Henrietta Maria Circle of Sir Anthony Van Dyck: Queen Henrietta Maria Attributed to Henry Stone: King Henry IV Renold Elstrack, or after . Sep 29, 2019 - Henrietta Maria by Van Dyck studio (Philip Mould). Full-length portraits, standing, full face, the Queen is wearing a large black hat and deep blue silk dress. Sir Anthony Van Dyck: Oliver Cromwell Robert Walker: Mary and Margaret Gyfford, aged 13 and 12 . Henrietta Maria commissioned this painting as a gift for Cardinal Francesco Barberini, who viewed the devout French-born queen as a critical collaborator in his dream of regaining England for the Catholic Church. [3], Fake or Fortune? It was inspired by Mould's 2009 book Sleuth, after which the programme was originally to be entitled. 4th St and Constitution Ave NW This absorbing and enjoyable series flies the flag in quietly thrilling fashion. (104 176 cm) Archbishop's Castle and Gardens, Krom. The fluted column emphasizes her already exaggerated height, and the crown and cloth of gold emphasize her royalty. As part of, Anthony van Dyck (Flemish, Antwerp 15991641 London), After Anthony van Dyck (Flemish, Antwerp 15991641 London). 1991, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on LinkedIn (Opens in new window), Start typing to see results or hit ESC to close, BREAKING: Oxford SU to remain affiliated with NUS, Motion of No Confidence in Charlie Mackintosh Ruled Invalid, Reza Pahlavi, Crown Prince of Iran, addresses the Oxford Union, Opinion: The NUS has betrayed the confidence of Students Unions again, Rewriting Roald Dahl: Dangerous Censorship Lies Elsewhere, Berlin Film Festival 2023 First Look Review Past Lives, Its clear that Governments need to govern, that people want them to govern, and that they need to make these important decisions. In Conversation with George Monbiot, As an owner, you need to be patient and build relationships with the media and the fans., The answer to bad free speech is good free speech Chancellor Lord Patten on Free Speech, the Vice Chancellor and Hong Kong. It had been bought by the viewer's art historian grandfather, but its authenticity was in doubt because it appeared to be a copy of a sketch in Gauguin's notebook. This portrait is based on Van Dyck's lost original of circa 1636. 5A, p. 54, no. Since that piece's whereabouts are currently unknown, it is possible that the sculpture in this episode is the one that was initially owned by Woods. They were estimated to fetch just 20,000 and 8,000 respectively. [43], Saint Amelia, Queen of Hungary by Delaroche, The sixth series started on 20 August 2017. [77] Philip Mould was stated to have considered the Series 4 case of a Churchill painting as one of the most unsatisfactory endings to date, before it was finally authenticated in 2020. Oil on canvas: 17th Century: . was created by art dealer and historian Philip Mould, together with producer Simon Shaw. What lies beneath. [60] The ninth series, comprising four episodes, began on 26 July 2021. However, recognising similar shapes and colours from a known lost original, x-ray scans revealed a smaller, over-painted original head study by Van Dyck which was subsequently revealed through painstaking restoration and conclusively attributed to Van Dyck himself. "1/2 Interesting revelation today at the Pitti Palace, Florence. A London dealer has revealed the methods that have enabled him to attribute three unknown works to Charles I's court painter, Original reporting and incisive analysis, direct from the Guardian every morning, Now thought to be worth 3.5m, this Van Dyck was described by Christies as Flemish School, 17th century, portrait of a young girl with a fan. However, the reality is that new discoveries are made more regularly than one might imagine: be that re-discovering lost works, determining the painter of a previously unattributed work or even exposing the misattribution of a long-accepted official painting. ), Sir Anthony van Dyck Are black holes the source of dark energy? Sep 29, 2019 - Henrietta Maria by Van Dyck studio (Philip Mould). Anthony van Dyck (Flemish, Antwerp 15991641 London), Medium:
41 5/8 33 1/4 in. Various collectors and national institutions are lending paintings for the exhibition and these will sit alongside other masterpieces, including Van Dyck's last self-portrait and a Titian. Philip Mould | Historical Portraits | Queen Henrietta Maria by Sir . The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. Enter or exit from Constitution Avenue or Madison Drive. In 1632 Anthony van Dyck was invited to England to work at the court of King Charles I and Queen Henrietta Maria. Pentimenti (plural) can be seen in a number of works by world-famous artists such as Picasso and Van Eyck. Married by proxy in May 1625, she landed in England the following month and began her life as Queen of England at the age of sixteen. [1] Since the first series aired in 2011, Fake or Fortune? [1] The early provenance for the painting as published in the Gallery's 2005 systematic catalogue, Flemish Paintings of the Seventeenth Century, by Arthur K. Wheelock, Jr., incorrectly traced the ownership from Richard Newport, 2nd earl of Bradford (1644-1723) through his heirs. As a Van Dyck oil study, it is worth 350,000. [2] An inventory of paintings belonging to Lady Torrington at her house in Twickenham and dated 9 November 1719, lists "In the HallWhole lengthsKing Charles the first's Queen, by Vandyke." One such example is Picassos The Old Guitarist: created by the texture of the thick paint used, one can make out the ghostly outline of a womans face above the old mans neck, the shape of her body and pair of parted feet just below his knee. "The sitter's expression alone tells us that this is not a portrait of a miniature adult, as one so often sees in the 17th century, but of a child. Search by Sitter. Enter or exit at 4th Street. Have concluded this double portrait described as by Van Dyck is a composite copy by the Medici court painter at the time Justus Sustermans. [7] See the letter of 10 March 1927 confirming receipt of payment for seven of the Northbrook paintings, including Queen Henrietta Maria, Sir Jeffrey Hudson and a Monkey, in the Duveen Brothers Records (box 269, folder 16, reel 124; accession number 960015, Research Library, The Getty Research Institute, Los Angeles; copy in NGA curatorial files, kindly supplied by Patricia Teter). Queen Henrietta Maria with Sir Jeffrey Hudson, Read our full Open Access policy for images, Baring, Francis George, 2nd earl of Northbrook, Baring, Thomas George, 1st earl of Northbrook, Coote, Countess of Mountrath, Diana Newport, Damer, 2nd and last earl of Dorchester, George, Damer, Baroness Milton, Caroline Sackville, Dawson-Damer, 3rd earl of Portarlington, Henry John Reuben, Newport, Countess of Bradford, Mary Wilbraham, Newport, Lady Torrington, Anne Pierrepont. 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